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She greets them, imperious in blue-black and gold with a high Victorian face, she escorts them all to rooms so they can stay the night in her manor. Of course, closeness with death and the mysteries is the ancient mentor's Despite her elderly exterior, she easily fends off the Frightful Four when they try to kidnap the boy.

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Help build the largest human-edited lyrics collection on the web! Add Lyrics. The Fallen Crow. Howell, Kyle Hippy. Two Spot Gobi. The only problem I had as I reread the entire LOTR series a dozen times over the ensuing dozen years was the abysmal lack of romance. I mean, come on. If I had the chance to talk to the good professor, we would have words, believe me. So, even though I was wallowing in all the romance I wanted, I still harbored a secret desire to do fantasy with enough romance in it to suit me—a desire that was perhaps not so secret since my first editor, the fabulous Gail Fortune, had listened to me talk wistfully about it for years.


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She pulled together an anthology with Patricia McKillip, Sharon Shinn, and Clair Delacroix, then asked if I thought I could maybe come up with a fantasy novella of some sort to contribute. After I sat down and blew into a paper bag for a bit, I managed to gasp out a yes, and the Nine Kingdoms were on the map.

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I think the biggest difference is the opportunity to world-build on an entirely different scale. With fantasy, reality consists of an entirely different set of variables. The chance to get lost in a world where spells can add all kinds of unexpected things, beautiful and sparkling—and not so beautiful and sparkling—is much more addicting than I had anticipated it would be. In romances, I am for the most part doing light romantic comedies, which I absolutely love. The fantasies, though they do have humorous elements I would never turn my back on, have taken some soul searching to come to terms with how I would personally face the sort of evil my characters have to.


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  6. It just takes me a while to figure it out. What has been the fan reaction to this series? Going into it, did you think a lot of the same people would read both, or did you feel like this would be writing for a different audience?

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    If there is any intent in your characters and plotting to either pass a commentary on, or at least delicately satirize, heroic quest fantasy, can you tell me about why you chose to include that in your series? I have an enormous amount of respect for writers, like our good Professor Tolkien, who have taken worlds we never could have imagined on our own and captured them on paper. His work literally changed my life.

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    The scope and depth of the epic fantasies that now find themselves in print is truly impressive. That said, my favorite types of books are where the screen time is evenly balanced between the particulars of the quest and getting to know the characters involved in that quest.

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    I like the idea of normal, everyday people doing extraordinary things.